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Elvis, Me, and the Lemonade Stand Summer

Elvis, Me, and the Lemonade Stand Summer

Leslie Gentile (Author) See More (3)
Elvis, Me, and the Eagle Shores Trailer Park
JUVENILE FICTION
Family | Indigenous Peoples of Turtle Island | Historical
General (see also headings under Social Themes) , General
Cormorant Books
9 - 12
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AmazonIndigo
Paperback
9781770866157
$13.95 CAD
English
03/27/2021
EPUB [reflow]
9781770866164
$9.99 CAD
English
03/27/2021
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Description

Winner of the 2021 City of Victoria Children’s Book Prize
Winner of the 2022 Jean Little First-Novel Award

It’s the summer of 1978 and most people think Elvis Presley has been dead for a year. But not eleven-year-old Truly Bateman – because she knows Elvis is alive and well and living in the Eagle Shores Trailer Park. Maybe no one ever thought to look for him at on the Eagle Shores First Nation on Vancouver Island.

It’s a busy summer for Truly. Though her mother is less of a mother than she ought to be, and spends her time drinking and smoking and working her way through new boyfriends, Truly is determined to raise as much money for herself as she can through her lemonade stand … and to prove that her cool new neighbour is the one and only King of Rock ‘n’ Roll. And when she can’t find motherly support in her own home, she finds sanctuary with Andy El, the Salish woman who runs the trailer park.

Leslie Gentile

Author Bio

Leslie Gentile’s debut novel, Elvis, Me, and the Lemonade Stand Summer (2021), won the City of Victoria Children’s Book Prize, the Jean Little First-Novel Award, and has been short-listed for ten other awards. Leslie is also a singer/songwriter and performs with two of her adult children in The Leslie Gentile Band. Leslie lives on Vancouver Island on the traditional territory of the W-SÁNEĆ people with her husband and a German shepherd who is convinced that he’s a lapdog. Though not connected with a specific nation, Leslie is of Indigenous and settler heritage, and has Salish, Tuscarora, and Scottish ancestry.

Prizes

  • OLA Best BetsCommended 2021
  • MYRCA Sundogs AwardNominated 2023
  • Forest of Reading - Silver Birch AwardNominated 2022
  • Hackmatack Children's Choice Book AwardShort-listed 2023
  • Washington Library Association Sasquatch Book AwardNominated 2025
  • Geoffrey Bilson Award for Historical Fiction for Young PeopleShort-listed 2022
  • Jean Little First-Novel AwardWinner 2022
  • Red Cedar Award (BC Young Readers' Choice)Short-listed 2023
  • Rocky Mountain Book AwardShort-listed 2022
  • SYRCA Diamond Willow AwardShort-listed 2022
  • City of Victoria Children's Book PrizeWinner 2021

Review text

“Leslie Gentile has created a touching and vibrant novel. Her characters are well-crafted and realistically portrayed. … Elvis, Me, and the Lemonade Stand Summer leaves readers with a memorable message about the power of empathy and kindness to change lives. Highly Recommended.” 5/5 Stars

Review text

“... Gentile has offered up a profound meditation on the meaning of ‘family’ and the ways in which kinship, love and responsibility can extend far beyond the boundaries of biology.”

Review text

“This incredible middle grade novel exudes love and heartache. Readers will instantly be drawn to Truly and Andy El and will delight in the beautiful friendship they have cultivated.”

Review Quotes

“A refreshingly positive, nurturing portrayal of First Nations culture and people … Gentile creates amazing characters through which she addresses neglect and dysfunctional families, as well as issues of micro aggressions and discrimination against Indigenous peoples … An engaging and layered story of identity and determination … [that] captures what it’s like to live on reserve and what it is to have people who genuinely care about you.”

“With its leisurely pace, this novel feels exactly like a child’s summer … Gentile’s characters are richly realized, and the story takes on challenging material — abuse, identity, racism and more — in ways that respect its audience … The story is approachable and good-natured, wearing its subversive subtext lightly as it presents an unredeemed bad mother, a plot detail that involves questioning the Indian Act and an upending of the white saviour trope … A middle-grade summer story that plays with the genre in ways both satisfyingly familiar and refreshingly new.”